I had the fantastic opportunity to present at the Kazoo Comic and Zine Festival this year as part of Guelph's week long Kazoo Arts Festival! It was AWESOME for many reasons:
1) I sold out of everything!!!
2) I got nominated for best debut comic for Our Children Would Not Kill Us!
3) I was also interviewed by Guelph University-I'm sure I sounded really dorky, and it was only
a 5 minute interview, but still, I'm super happy about it! I will keep you updated if it becomes
available for podcast, and just how dorky I really was.
4) Most of all, I met stellar people, the organizers, volunteers, artists, and fans.
It was hands down, the best day of the year for me and has inspired me to keep the dream alive...
Here is the poster from the event and some photos of yours truly at the Sparrow Press table!
Monday, April 18, 2011
Wednesday, March 2, 2011
Kennedy
This is a short story I submitted for this Spring's Grawlix anthology on sale at TCAF 2011!!!
The theme this year was subway stations. I DEMANDED Kennedy Station because frankly, i miss it.
Tuesday, February 1, 2011
Saturday, December 18, 2010
Wednesday, December 1, 2010
We, The Seasons
Sunday, November 28, 2010
The Atlantic
Thursday, November 11, 2010
Grahpic Novel Complete!
Here is a small excerpt (page 1-22) from my proudest work to date, Our Children Would Not Kill Us. It is adapted from Kathryn Kuitenbrouwer's published short story with the same name (read the full story here on Joyland.
Here is a brief synopsis:
Vulnerable and anxious, the author-heroine in Our Children Would Not Kill Us watches her son’s hockey game, and reads Flaubert’s St Julian Hospitator to bide the time she must wait for news on her latest manuscript. But how real is the hockey arena? How real the Flaubert story? For the protagonist it is all simply desire. The imagined and the real bleed into pure narrative. This is the story she tells about herself. In Our Children Would Not Kill Us Fiorentino and Kuitenbrouwer’s elegantly twine the imagined to the tangible.
Here is a brief synopsis:
Vulnerable and anxious, the author-heroine in Our Children Would Not Kill Us watches her son’s hockey game, and reads Flaubert’s St Julian Hospitator to bide the time she must wait for news on her latest manuscript. But how real is the hockey arena? How real the Flaubert story? For the protagonist it is all simply desire. The imagined and the real bleed into pure narrative. This is the story she tells about herself. In Our Children Would Not Kill Us Fiorentino and Kuitenbrouwer’s elegantly twine the imagined to the tangible.
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